Bulletin
The Monument Lab Bulletin is a collaborative platform for critically reading and reimagining monuments. We invite contributors who are deeply committed to changing the way we study, build, and interpret monuments. We welcome contributions from artists, students, scholars, activists, municipal agencies, and cultural institutions. Learn how to contribute
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The Dispersed Memorial: Access against Dispossession & The Right to Memory

2020 Monument Lab Fellow Sergio Beltrán-García writes about the first phase of his onoing project The Dispersed Memorial, a response to a form of mnemonic violence whereby governments artificially hike the political and economic costs of memorial construction, thus denying victims of human rights violations their right to memory. Though the design and deployment of a limited number of small-scale prototypes, Beltrán-García challenges who traditionally has access to and creates public memory.

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On Paperwork

Paperwork is how you get things done within the system. What tools do we have to examine and re-imagine the system itself? 

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Monsters All the Way Down

The gruesome monstrosity of whiteness undergirds America’s systems—haunting its public spaces, pedestals, and policies. Where do we go from here?

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The Ancestral Memory of Medicinal Plants in COVID-19

Monument Lab Fellow Thalia Fernández Bustamante writes about the impact COVID-19 has had on Indigenous communities in Mexico and the challenges they are currently facing. Bustamante delves deeper into how Indigenous medicinal practices preserve, elevate, and honor ancestral land, culture, flora, and ways of living. She challenges the reader to critically think about the knowledge Indigenous communities possess and how this could aid in healing on a physical and spiritual level. 

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Sweet Dance of Subversion: Space, Race, and the Bermuda Gombey

Every year, the streets of Bermuda fill with the sweet dance of the gombeys—folk dancers who have come to symbolize Black resistance, identity, and heritage. Graduate researcher Stephanie Gibson reflects on the performance of the gombeys, and the ways they take up physical, public space as an act of political subversion and joy. The gombey is both a Black tradition and a moving example of performance-as-political strategy, challenging the ghosts of colonial regimes that once regulated Black Bermudian bodies through music and dance. 

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Monument Lab Awarded $4M Grant from the Mellon Foundation to Develop Art and Justice Initiatives Across the Nation

Monument Lab announces a transformative $4 million grant from the Andrew W. Mellon Foundation. The grant, entitled Beyond the Pedestal: Tracing and Transforming America’s Monuments, will support the production of a definitive audit of the nation’s monuments; the opening of ten Monument Lab field research offices through $1 million of subgrants in 2021; and capacity for Monument Lab to hire its first full-time staff and develop significant art and justice initiatives.