A Call to Peace
Oct
3
to Nov 11

A Call to Peace

Image: Manuel Acevedo

Image: Manuel Acevedo

A Call to Peace is a public art and history exhibition that asks the central question: What is a timely monument for Newark? Running October 3–November 11, 2019, the exhibition features temporary monuments and artworks; Thursdays Talks with artists, scholars, and activists; an installation in Express Newark; and an interactive research and engagement lab for participants to share their own speculative monument proposals and learn about the complex history of Military Park and the city of Newark.

Featured Artists: Manuel Acevedo, Chakaia Booker, Sonya Clark, and Jamel Shabazz.

Partners: New Arts Justice Initiative at Rutgers University-Newark; Mayor Ras Baraka and the City of Newark; Clement A. Price Institute on Ethnicity, Culture, and the Modern Experience; Rutgers University-Newark Departments of African-American and African Studies and Creative Writing Program; Express Newark; John Cotton Dana Library; Military Park Partnership; Monument Lab; Newark Arts Festival; the Newark Museum; Project for Empty Space; and SHINE Portrait Studio.

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1619 and Wars of America: Artist Conversation with Manuel Acevedo, Sonya Clark, and Paul Farber, moderated by Salamishah Tillet
Oct
21
6:00 PM18:00

1619 and Wars of America: Artist Conversation with Manuel Acevedo, Sonya Clark, and Paul Farber, moderated by Salamishah Tillet

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1619 and Wars of America: Artist Conversation with Manuel Acevedo, Sonya Clark, and Paul Farber, moderated by Salamishah Tillet

In 2019, 400 years after the first enslaved Africans arrived in Jamestown, our nation continues to experience a moment of intensity and uncertainty around public monuments — especially those that symbolize the enduring legacy of racial slavery and social inequality. One such monument is Newark's very own Wars of America, a massive sculpture built by sculptor Gutzon Borglum in 1926 for Military Park. Borglum, famed for creating Mount Rushmore, was also affiliated with Ku Klux Klan for whom he designed the Confederate Monument on Stone Mountain in Georgia. Working on these two sculptures at the same time, Borglum used granite from Stone Mountain as the pedestal for his sculpture in Newark.

Taking up the central question, What is a timely monument for Newark?, New Arts Justice and Monument Lab co-curated A Call to Peace, a public arts exhibition that features

Manuel Acevedo and Sonya Clark, two internationally acclaimed artists whose work probes the intersections of Confederate legacies, collective memory, and racial justice. Moderated by Salamishah Tillet (New Arts Justice), this public conversation with Acevedo (Cam-Up), Clark (Monumental Fragment), and Paul Farber (Monument Lab) will reflect on the monuments we have inherited, while discussing the role of art to usher in new, democratic futures.

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Public Think Tank on the High Line
Oct
12
2:00 PM14:00

Public Think Tank on the High Line

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The Public Think Tank is curated by Monument Lab is part of a research residency with the High Line Joint Art Network's New Monuments for New Cities project.

Confirmed Participants: Glen Cantave (Movers and Shakers NYC), Pola Dobrzynski (For Freedoms), Todd Fine (Washington Street Historical Society/Little Syria), Tim Furstnau (Museum of Capitalism), Elizabeth Goldstein (Municipal Art Society), Karyn Olivier (Artist), Jacob Morris (Harlem Historical Society), Eriola Pira (Vera List Center for Art and Politics), RJ Rushmore (Vandalog), and Evan Walsh (For Freedoms). Moderated by Ken Lum (Monument Lab).

Free and Open to the Public. Visitors and Drop-Ins Welcome.

The conversation will circulate around a question posed by Monument Lab: What timely revision would you make to our inherited monuments?

Over the course of two weekends, each Public Think Tank will be comprised of 10 invited guest participants and a moderator sitting in a group in the covered passageway at 14th Street on the High Line, where the New Monuments for New Cities exhibition will be installed. There will be extra seats available for inviting others to join. Each participant will share insights related to their work in the public realm, their interest and investment in public monuments and memory, and their questions related to the prompt. Coffee, tea, and light refreshments will be served.

We intend for each conversation to yield a set of notes, keywords, questions, and other insights recorded in audio and documented in a forthcoming Monument Lab research publication produced in conjunction with New Monuments for New Cities.

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CAM-UP PUBLIC ART HAPPENING AT WARS OF AMERICA MONUMENT IN MILITARY PARK
Oct
11
11:00 AM11:00

CAM-UP PUBLIC ART HAPPENING AT WARS OF AMERICA MONUMENT IN MILITARY PARK

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Manuel Acevedo, Cam-Up Happening: Live at the Wars of America monument in Military Park

Friday, October 11, 12 Noon  (Rain Date: Sunday, October 13)

Meeting Place: Wars of America monument

 

Manuel Acevedo has been thinking creatively and critically about Military Park for most of his life. For decades, he has been creating artworks and proposals to contend with the monument's messages of war and conflict, and its sculptor, Gutzon Borglum's, connections with the Klu Kux Klan. Join featured artist Acevedo and a team of collaborators as they climb the historic Wars of America sculpture – to cover, treat, and engage the the monument by hand with a series of camouflage veils and bring his proposals to life. Acevedo's Cam-Up Happening is presented in coordination with New Arts Justice and Monument Lab's A Call to Peace and the Newark Arts Festival. 

Acevedo’s enduring interest in the site informed a series of proposals for public intervention to confront the history of wars, civilian bombings, and systemic oppression (now on view near the Wars of America monument in Military Park. From his photo documentation of the 1986 “End Apartheid Now” rally to aerial views of the park’s symbolic shape, Acevedo’s documentation and research on Military Park spans over three decades. 

In the early 1980s, as a Newark Arts High School student, Acevedo walked through the park and began questioning its central landmark, Wars of America (1926). Soon after, he began documenting, reflecting, and envisioning temporary ways to change the physical appearance of the monument.

 “I was drawn to the piece for its movement, how it was built on an incline, the way it occupied space, and its larger-than-life figures—that upon closer examination, did not reflect the local community I witnessed gathering around the central landmark. I became increasingly intrigued by the social juxtaposition inherent in Military Park,” offered Acevedo. 

Acevedo seeks to publicly uncover Borglum’s ignored or forgotten history through a “public happening” in Military Park during the Newark Arts Festival. Drawing on his own archive of documentary images and hand-drawn approaches to grappling with the monument, Acevedo’s project includes a "Happening' bringing his Cam-Up proposals to living scale, and is joined by a re-envisioned historic sign installed in the park for the duration of the exhibition.


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Public Think Tank on the High Line
Oct
5
2:00 PM14:00

Public Think Tank on the High Line

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The Public Think Tank is curated by Monument Lab is part of a research residency with the High Line Joint Art Network's New Monuments for New Cities project.

Confirmed Participants: Nadia Elokdah (Grantmakers for the Arts), Nona Faustine (Artist), Molly Rose Kaufman & Khemani Gibson (400 Years of Inequality), Patricia Eunji Kim (New York University), Leigh Claire La Berge (City University of New York), Sheetal Prajapati (Lohar Projects), fayemi shakur (curator/writer), Mountain Pollen (Artist), and Marisa Williamson (Artist). Moderated by Paul Farber (Monument Lab).

Free and Open to the Public. Visitors and Drop-Ins Welcome.

The conversation will circulate around a question posed by Monument Lab: What timely revision would you make to our inherited monuments?

Over the course of two weekends, each Public Think Tank will be comprised of 10 invited guest participants and a moderator sitting in a group in the covered passageway at 14th Street on the High Line, where the New Monuments for New Cities exhibition will be installed. There will be extra seats available for inviting others to join. Each participant will share insights related to their work in the public realm, their interest and investment in public monuments and memory, and their questions related to the prompt. Coffee, tea, and light refreshments will be served.

We intend for each conversation to yield a set of notes, keywords, questions, and other insights recorded in audio and documented in a forthcoming Monument Lab research publication produced in conjunction with New Monuments for New Cities.

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A Call to Peace Opening
Oct
3
4:00 PM16:00

A Call to Peace Opening

Image: Manuel Acevedo

Image: Manuel Acevedo

A Call to Peace is a public art and history exhibition that asks the central question: What is a timely monument for Newark? Running October 3–November 11, 2019, the exhibition features temporary monuments and artworks; Thursdays Talks with artists, scholars, and activists; an installation in Express Newark; and an interactive research and engagement lab for participants to share their own speculative monument proposals and learn about the complex history of Military Park and the city of Newark.

Featured Artists: Manuel Acevedo, Chakaia Booker, Sonya Clark, and Jamel Shabazz.

Partners: New Arts Justice Initiative at Rutgers University-Newark; Mayor Ras Baraka and the City of Newark; Clement A. Price Institute on Ethnicity, Culture, and the Modern Experience; Rutgers University-Newark Departments of African-American and African Studies and Creative Writing Program; Express Newark; John Cotton Dana Library; Military Park Partnership; Monument Lab; Newark Arts Festival; the Newark Museum; Project for Empty Space; and SHINE Portrait Studio.

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Monument Lab Town Hall
Jun
28
9:00 AM09:00

Monument Lab Town Hall

Join Monument Lab for our first annual meeting featuring panels and workshops with our National Fellows and guest collaborators from around the country. The daylong gathering ends with a Town Hall focused on the momentum, milestones, challenges, and next steps for the critical monument movement today. Motivated by recent debates and upheavals in cities such as Charlottesville, Chicago, Los Angeles, New Orleans, New York, Philadelphia, and Richmond, the Town Hall centers around a guiding question: Who Decides the Fate of Public Space? In conversation with our national fellows, whose groundbreaking work has sparked new possibilities for monuments in these cities and beyond, attendees will explore approaches for those seeking to tackle, topple, and reframe history in public space. Together, we will investigate power and process through stories of social justice and equity.

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Theory X with The Bentway
Jun
16
1:00 PM13:00

Theory X with The Bentway

Theory X – a project organized by the Bentway and curated with Monument Lab’s Ken Lum and Paul Farber – proposes an open question to a group of 12 invited Torontonians: What’s Your Theory of Toronto? The question will spawn responses that will be prepared by a range of artists, activists, planners, and cultural workers; delivered as a form of public address at the Bentway; shared online in textual and video form; and serve as platform to invite public participants to respond with dialogue, or author words and/or images of their own responses to the central question, which will also be shared as a research platform afterward.

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Monument Lab: Live Podcast and Roof Party
May
24
7:00 PM19:00

Monument Lab: Live Podcast and Roof Party

7pm, Live podcast recording

8pm, Roof party

Monument Lab’s Paul Farber will record a live podcast at the Pulitzer with artists Anthony Romero, Josh Rios, and Matt Joynt. The conversation will focus on public landmarks, the artists’s role in reframing historical narratives related to communities of color, and the mobile monument created by Romero, Rios, and Joynt for Counterpublic, a public art exhibition in St. Louis organized by The Luminary.

Stick around after the podcast for a roof party with music by Crim Dolla Cray and to learn how you can be a part of Monument Lab’s research project by submitting a hand-drawn map of St. Louis. Learn more at pulitzerarts.org.

https://pulitzerarts.org/program/monument-lab-live-podcast-and-roof-party/

Photograph by Carly Ann Faye

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Reflecting Authority: Austin
May
18
10:00 AM10:00

Reflecting Authority: Austin

Reflecting Authority

Monument Lab Research Workshop

Join Monument Lab curators for a participatory workshop and discussion focused around an open research question: Who decides the fate of public space?

Public spaces carry special meaning and a particular burden in our culture: they serve as terrains of shared belonging and places to constantly negotiate the limits of our social landscapes.

Whether considering the commons, parks, pathways, municipal resource hubs, or privately operated public venues, public spaces balance shared general principles of openness and each possess a highly site-specific sense of order. Most often, free space is met with accompanying parameters. And just as public spaces are designed, they are adapted and improvised by those who dwell in them. They are not only sites where we work through our democratic challenges, they also are venues for the ebbs and flows of collective memory. What makes a meaningful and viable public space, and who will shape its future? Just as we seek new ways to critically engage the monuments we have inherited and unearth a new generation of commemorative sites, our public spaces are experiencing a related cultural appraisal.

Reflecting Authority, presented in collaboration with the High Line Network Joint Art Initiative’s New Monuments for New Cities,engages collaborators and public participants in a research residency aimed at mapping civic process, authority, and authorship at five High Line Network sites: Buffalo Bayou, Houston, Texas; Waller Creek, Austin, Texas; The 606, Chicago, Illinois; The Bentway, Toronto, Ontario; and The High Line, New York, New York.

In a series of workshops, discussions, and activations across all five sites led by Monument Lab's curatorial research team, participants will explore the evolving character of monuments, the lifespans of adaptive reuse infrastructure, and the dynamics of public space, all centered around the research question reflecting who decides how each public form takes shape, gets critically engaged, and/or transforms over time.

Each workshop will include a presentation of Monument Lab research findings from conversations from their Report to the City, based on engagements with over 250,000 public participants in Philadelphia, a facilitated discussion about collective memory and municipal pathways around the High Line Network sites, and a shared research exercise that maps decision-making processes and power networks in each respective city.

The project will culminate with a multi-day public research installation on New York's High Line in October, a podcast series interviewing selected participating artists from New Monuments for New Cities, and a culminating publication with research findings, visualizations, and critical essays.


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Reflecting Authority: Houston
May
16
11:30 AM11:30

Reflecting Authority: Houston

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Reflecting Authority

Monument Lab Research Workshop

Join Monument Lab curators for a participatory workshop and discussion focused around an open research question: Who decides the fate of public space?

Public spaces carry special meaning and a particular burden in our culture: they serve as terrains of shared belonging and places to constantly negotiate the limits of our social landscapes.

Whether considering the commons, parks, pathways, municipal resource hubs, or privately operated public venues, public spaces balance shared general principles of openness and each possess a highly site-specific sense of order. Most often, free space is met with accompanying parameters. And just as public spaces are designed, they are adapted and improvised by those who dwell in them. They are not only sites where we work through our democratic challenges, they also are venues for the ebbs and flows of collective memory. What makes a meaningful and viable public space, and who will shape its future? Just as we seek new ways to critically engage the monuments we have inherited and unearth a new generation of commemorative sites, our public spaces are experiencing a related cultural appraisal.

Reflecting Authority, presented in collaboration with the High Line Network Joint Art Initiative’s New Monuments for New Cities,engages collaborators and public participants in a research residency aimed at mapping civic process, authority, and authorship at five High Line Network sites: Buffalo Bayou, Houston, Texas; Waller Creek, Austin, Texas; The 606, Chicago, Illinois; The Bentway, Toronto, Ontario; and The High Line, New York, New York.

In a series of workshops, discussions, and activations across all five sites led by Monument Lab's curatorial research team, participants will explore the evolving character of monuments, the lifespans of adaptive reuse infrastructure, and the dynamics of public space, all centered around the research question reflecting who decides how each public form takes shape, gets critically engaged, and/or transforms over time.

Each workshop will include a presentation of Monument Lab research findings from conversations from their Report to the City, based on engagements with over 250,000 public participants in Philadelphia, a facilitated discussion about collective memory and municipal pathways around the High Line Network sites, and a shared research exercise that maps decision-making processes and power networks in each respective city.

The project will culminate with a multi-day public research installation on New York's High Line in October, a podcast series interviewing selected participating artists from New Monuments for New Cities, and a culminating publication with research findings, visualizations, and critical essays.

Buffalo Bayou: https://buffalobayou.org/public-art/

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Reflecting Authority: Toronto
May
11
1:00 PM13:00

Reflecting Authority: Toronto

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Reflecting Authority

Monument Lab Research Workshop

Join Monument Lab curators for a participatory workshop and discussion focused around an open research question: Who decides the fate of public space?

Public spaces carry special meaning and a particular burden in our culture: they serve as terrains of shared belonging and places to constantly negotiate the limits of our social landscapes.

Whether considering the commons, parks, pathways, municipal resource hubs, or privately operated public venues, public spaces balance shared general principles of openness and each possess a highly site-specific sense of order. Most often, free space is met with accompanying parameters. And just as public spaces are designed, they are adapted and improvised by those who dwell in them. They are not only sites where we work through our democratic challenges, they also are venues for the ebbs and flows of collective memory. What makes a meaningful and viable public space, and who will shape its future? Just as we seek new ways to critically engage the monuments we have inherited and unearth a new generation of commemorative sites, our public spaces are experiencing a related cultural appraisal.

Reflecting Authority, presented in collaboration with the High Line Network Joint Art Initiative’s New Monuments for New Cities,engages collaborators and public participants in a research residency aimed at mapping civic process, authority, and authorship at five High Line Network sites: Buffalo Bayou, Houston, Texas; Waller Creek, Austin, Texas; The 606, Chicago, Illinois; The Bentway, Toronto, Ontario; and The High Line, New York, New York.

In a series of workshops, discussions, and activations across all five sites led by Monument Lab's curatorial research team, participants will explore the evolving character of monuments, the lifespans of adaptive reuse infrastructure, and the dynamics of public space, all centered around the research question reflecting who decides how each public form takes shape, gets critically engaged, and/or transforms over time.

Each workshop will include a presentation of Monument Lab research findings from conversations from their Report to the City, based on engagements with over 250,000 public participants in Philadelphia, a facilitated discussion about collective memory and municipal pathways around the High Line Network sites, and a shared research exercise that maps decision-making processes and power networks in each respective city.

The project will culminate with a multi-day public research installation on New York's High Line in October, a podcast series interviewing selected participating artists from New Monuments for New Cities, and a culminating publication with research findings, visualizations, and critical essays.




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Monuments and Memory
Apr
17
5:00 PM17:00

Monuments and Memory

  • Wolf Humanities Center, University of Pennsylvania (map)
  • Google Calendar ICS
Monuments_Wolf-Humanities.jpg

David Brownlee
Frances Shapiro-Weitzenhoffer Professor of 19th-Century European Art, University of Pennsylvania

Ken Lum
Artist and Professor of Fine Arts, Univeristy of Pennsylvania

The role of monuments and their representation of the past as it extends to the present has recently become a site of discussion, engagement, and conflict. Now that Philadelphia has become the first UNESCO World Heritage city, the meaning of monuments—to make, reflect, frame, and hide our city, its history, and its diversity—has become all the more important. How might we reimagine the monument to be more inclusive, more representative, and more meaningful to us all?


David Brownlee is a historian of modern architecture whose interests embrace a wide range of subjects in Europe and America, from the late eighteenth century to the present. Professor Brownlee has won numerous fellowships, and his work has earned three major publication prizes from the Society of Architectural Historians. He is a recipient of the University of Pennsylvania's Lindback Award for Distinguished Teaching.

His books include Louis I. Kahn: In the Realm of Architecture (with David G. De Long,1991, translated into four other languages), Making a Modern Classic: The Architecture of the Philadelphia Museum of Art (1997), Building America's First University: An Historical and Architectural Guide to the University of Pennsylvania (with George Thomas, 2000), Out of the Ordinary: Robert Venturi, Denise Scott Brown and Associates: Architecture, Urbanism, Design (with David De Long and Kathryn Hiesinger, 2001), and The Barnes Foundation: Two Buildings, One Mission (2012).

Ken Lum is a Professor in the School of Design, the University of Pennsylvania. Lum is co-founder and founding editor of Yishu Journal of Contemporary Chinese Art. He has published extensively; and recently completed an artists’ book project with philosopher Hubert Damisch that was launched with Three Star Press, Paris. He was Project Manager for Okwui Enwezor’s The Short Century: Independence and Liberation Movements in Africa 1945 – 1994 (2001). He was also co-curator of the 7th Sharjah Biennial (2005), and Shanghai Modern: 1919 – 1945 (2005). Lum has exhibited widely, including São Paulo Biennial (1998), Shanghai Biennale (2000), Documenta 11 (2002), the Istanbul Biennial (2007), and the Gwangju Biennale (2008), Moscow Biennial 2011 and the Whitney Biennial 2014.  He has published many essays on art. He has also realized permanent public art commissions for the cities of Vienna, Vancouver, Utrecht, Leiden, St. Moritz, Toronto and St Louis.

Most recently, Lum co-curated Monument Lab, a public art and history initiative based in Philadelphia that invited artists and citizens to re-imagine what an appropriate monument looks like in today’s world. Along with artists, scholars, and students, Lum posed research questions and built prototype monuments in public spaces. Monument Lab produced citywide exhibitions, collaborative installations, scholarly publications, video projects, as well as publicly-sourced creative open datasets. Lum helped contextualize the project through vairous conversations with artists and the public, by sharing his expertise of the art world as both an artist and an educator.


Image: Karyn Olivier, The Battle is Joined, Vernon Park, Monument Lab 2017 (Mike Reali/Mural Arts Philadelphia).

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Techniques of Memory: Landscape, Iconoclasm, Medium and Power
Apr
17
to Apr 18

Techniques of Memory: Landscape, Iconoclasm, Medium and Power

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Techniques of Memory: Landscape, Iconoclasm, Medium and Power will be a two-day symposium organized by the Global Urban Humanities Initiative at UC Berkeley, from April 17th to 18th 2019 at the David Brower Center in Downtown Berkeley. Following the principles of the Global Urban Humanities Initiative, our symposium seeks to bring together not only scholars, but practitioners, activists and artists to think about monuments, memorial landscapes, iconoclasm, mediums and materiality, as well as memory politics and power from the unique interdisciplinary standpoint that this platform provides. The symposium will consist of four panels: Landscape, Iconoclasm, Medium and Power.

Symposium Participant: Paul Farber, Artistic Director, Monument Lab

Other Participants and Speakers: Austin Allen (Design Jones LLC/Louisiana State University), Jason Berry (Investigative Reporter and Author), Onder Celik (John Hopkins University), Irene Cheng (California College of the Arts), Michael Deal (UC Berkeley), Hans Van Houwelingen (Artist), Anne Fuchs (University College Dublin), Zainabu Jallo (University of Bern), Cecilia Järdemar (Konstfack University in Stockholm), Lauren Kroiz (UC Berkeley), Kristina Leko (Berlin University of the Arts), Camille Mathieu (University of Exeter), Judith Mirkinson ("Comfort Women" Justice Coalition), Sue Mobley (Paper Monuments, Tulane University), John Pinto (Princeton University), Marita Sturken (New York University), and Kristi Wilson (Soka University of America).

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Work in Progress: Monuments and the Politics of Commemoration
Mar
26
6:30 PM18:30

Work in Progress: Monuments and the Politics of Commemoration

  • University of Pennsylvania, Meyerson Hall (map)
  • Google Calendar ICS
Sharon Hayes,  If They Should Ask , installation at Rittenhouse Square, Philadelphia, 2017. Photo by Steve Weinik

Sharon Hayes, If They Should Ask, installation at Rittenhouse Square, Philadelphia, 2017. Photo by Steve Weinik

Cities around the U.S. are grappling with controversies related to public art, historical monuments, and other memorials. The panelists for this event bring extensive experience from a variety of cities to this topic.

Paul Farber, Artistic Director, Monument Lab, Lecturer in Fine Arts and Urban Studies
Amy L. Freitag (MSHP'94), Executive Director, J.M. Kaplan Fund
Sharon Hayes, Associate Professor of Fine Arts, Monument Lab collaborator
Ken Lum, Professor and Chair of the Department of Fine Arts, Chief Curatorial Advisor, Monument Lab
Aaron Wunsch, Associate Professor of Historic Preservation


Reception to follow.

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In Pursuit of the Confederate Truce Flag: Monument Lab Live with Sonya Clark and Paul Farber
Mar
13
6:00 PM18:00

In Pursuit of the Confederate Truce Flag: Monument Lab Live with Sonya Clark and Paul Farber

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Join textile and social practice artist Sonya Clark in a public conversation with Artistic Director/Host Paul Farber for a live recording of the Monument Lab Podcast. Together, they will explore Clark's research informing her upcoming exhibition at The Fabric Workshop and Museum in Philadelphia, Monumental Cloth, The Flag We Should Know, on view March 29 – August 4, 2019. In presenting this exhibition, Clark questions: "Why do we know the Confederate Battle Flag instead of the Confederate Truce Flag that marked surrender, brokered peace, and was a promise of reconciliation? What would it mean to the psychology of this nation if the Truce Flag replaced the flag associated with hate and white supremacy?"

Clark investigates the legacy of symbols and challenges the power of propaganda, erasures, and omissions. By making the Truce Flag into a monumental alternative to the infamous Confederate Battle Flag and its pervasive divisiveness, the exhibition instigates a role reversal and aims to correct a historical imbalance. FWM is housed in a former flag factory, a particularly fitting place to ask questions about the symbolic power cloth can hold in the consciousness of our nation. Monumental Cloth, The Flag We Should Know is a timely catalyst for dialogue about the scars of the Confederacy and America's ability to acknowledge and reckon with racial injustice.

The first fifty people to arrive will receive a keepsake from FWM as a memento of this event.

About Sonya Clark

An artist of Afro-Caribbean heritage known for addressing race, culture, class and history in her mixed-media works, Sonya Clark draws on everyday materials to investigate how we assign meaning to objects reflecting our personal and collective attitudes: “I was born in Washington, DC to a psychiatrist from Trinidad and a nurse from Jamaica. I gained an appreciation for craft and the value of the handmade primarily from my maternal grandmother who was a professional tailor. Many of my family members taught me the value of a well-told story and so it is that I value the stories held in objects.” Clark has received numerous awards, including the James Renwick Alliance Distinguished Educator Award (2018), Anonymous Was A Woman Award (2016), ArtPrize Juried Grand Prize (co-winner, 2014), Smithsonian Artist Research Fellowship (2010 and 2011), and Pollock Krasner award. Her work has been exhibited in more than 350 museums and galleries throughout the world. For 12 years, Clark served as a professor and chair of the Department of Craft and Material Studies at the Virginia Commonwealth University School of the Arts in Richmond, Virginia. She is currently Professor of Art and the History of Art at Amherst College where she received an honorary doctorate in 2015. Deeply committed to the field of craft, Clark has also served on the board of the American Craft Council (Minneapolis, MN), Textile Museum (Washington, DC), and Haystack Mountain School of Crafts (Deer Isle, ME). Monumental Cloth, The Flag We Should Know is the culmination of the artist’s two-year residency with The Fabric Workshop and Museum. @sysclark

About The Fabric Workshop and Museum

Founded in 1977, The Fabric Workshop and Museum both makes and presents, encouraging artists to experiment with new materials and new media in a veritable living laboratory. Through its renowned Artist-in-Residence (AIR) Program, FWM collaborates with artists to expand their practices, while documenting the course of artistic production from inspiration to realization. Today, FWM is the only US institution devoted to creating work in textile and new media in collaboration with some of the most significant artists of our time. Presenting large scale exhibitions, installations, and performative works, FWM seeks to bring this spirit of artistic investigation and discovery to the wider public. In addition to complete works of art, FWM’s permanent collection also includes material research, samples, and prototypes. Serving as an educational center for Philadelphia’s youth from the outset, FWM remains dedicated to developing programs and opportunities for local students and emerging artists, advancing the role of art as catalyst for innovation and social connection. @FabricWorkshop

About Monument Lab and Paul Farber

Monument Lab is an independent public art and history studio based in Philadelphia. Founded by Paul Farber and Ken Lum, Monument Lab works with artists, students, activists, municipal agencies, and cultural institutions on exploratory approaches to public engagement and collective memory. Monument Lab cultivates and facilitates critical conversations around the past, present, and future of monuments. As a studio and curatorial team, Monument Lab pilots collaborative approaches to unearthing and reinterpreting histories. This includes citywide art exhibitions, site-specific commissions, participatory research initiatives, a national fellows program, a web bulletin and podcast, and more. The goal is to critically engage the public art we have inherited to reimagine public spaces through stories of social justice and equity. In doing so, Monument Lab aims to inform and influence the processes of public art, as well as the permanent collections of cities, museums, libraries, and open data repositories. @Monument_Lab

Paul Farber, PhD is a historian, curator, and educator from Philadelphia. He teaches courses in Fine Arts and Urban Studies at the University of Pennsylvania and also currently serves as the founding curator-in-residence of the New Arts Social Justice Initiative at Rutgers University-Newark. Farber's research explores transnational urban history, cultural memory, and aesthetic approaches to civic engagement. He is the author of A Wall of Our Own: An American History of the Berlin Wall (University of North Carolina Press, 2019). He is also the co-editor of Monument Lab: Creative Speculations for Philadelphia (Temple University Press, 2019) and of a special issue of the journal Criticism on HBO's series, The Wire (2011). He has been invited to lecture and lead workshops at the Library of Congress, New York Public Library, the Philadelphia Museum of Art, and the Barnes Foundation. He also served as the inaugural Scholar in Residence for Mural Arts Philadelphia. His work on culture has also previously appeared in the Guardian, Museums & Social Issues, Diplomatic History, Art & the Public Sphere, Vibe, and on NPR. @Paul_Farber

Image credit: Sonya Clark, in collaboration with The Fabric Workshop and Museum, Philadelphia. Woven replica of the Confederate Flag of Truce,2019. Photo credit: Carlos Avendaño.


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Engaging the Moment: Monuments in the Age of Reckoning and Remediation
Feb
28
7:30 PM19:30

Engaging the Moment: Monuments in the Age of Reckoning and Remediation

  • Emory & Henry College, MCA - Kennedy Reedy Theater (map)
  • Google Calendar ICS
reynolds lecture 3.jpg

The Richard Joshua Reynolds Lectureship in the Humanities was established in 1962 through the generosity of the Mary Reynolds Babcock Foundation of Winston-Salem, North Carolina. The lectureship presents scholars and artists who have distinguished themselves in the humanities. This year, The Richard Joshua Reynolds Lecturer is Paul M. Farber, Artistic Director of Monument Lab and lecturer of Fine arts and Urban Studies at the University of Pennsylvania.

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MONUMENTS OF THE FUTURE — ALTERNATIVE APPROACHES
Feb
6
6:30 PM18:30

MONUMENTS OF THE FUTURE — ALTERNATIVE APPROACHES

  • Martin Segal Theatre, CUNY Graduate Center (map)
  • Google Calendar ICS
momuments-of-the-future.jpg

Looking for solutions to the dilemma of how to confront and constructively dress difficult places of memory or their absence? This panel and discussion will offer physical and virtual alternatives that use a variety of media to promote public dialogue about how and what we remember.

Kubi Ackerman - Director of the “Future City Lab” at the Museum of the City of New York

Marisa Williamson - Artist and creator of “Sweet Chariot: The long Journey to Freedom Through Time”

Ken Lum - Co-curator of “Monument Lab: A Public Art and History Project” in Philadelphia

Jill Strauss (Moderator) - Assistant Professor, Borough of Manhattan Community College

FREE AND OPEN TO THE PUBLIC

The series is sponsored by:
American Social History Project/Center for Media and Learning
The Gotham Center for New York City History
CUNY Public History Collective

Series is supported with funds from Humanities New York and the National Endowment for the Humanities.

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Monument Lab Live: “There’s Spirit in Everything”
Feb
4
6:00 PM18:00

Monument Lab Live: “There’s Spirit in Everything”

ML-Newsletter_Jan2019_SalamishahGrace.jpeg

Monument Lab Live: “There’s Spirit in Everything”
Join Professors Salamishah Tillet (Rutgers University-Newark) and Grace Sanders Johnson (University of Pennsylvania) in a public conversation with Paul Farber (Monument Lab) for a live recording of the Monument Lab Podcast from Parkway Central Library.

Together, they will discuss haunts of history, living memory, and legacies of critical writing for African Diasporic women. Tillet and Sanders-Johnson will explore the approaches of storytellers, scholars, and artists who put forth efforts to commune, memorialize, organize, and heal across generations. 

This One Book, One Philadelphia event explores themes in the featured 2019 selection, Sing, Unburied, Sing, by Jesmyn Ward. 

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PROTOTYPES/PROPOSALS
Jan
18
to Mar 16

PROTOTYPES/PROPOSALS

  • Clough-Hanson Gallery, Rhodes College (map)
  • Google Calendar ICS
Photo: Chip Pankey

Photo: Chip Pankey

PROTOTYPES/PROPOSALS at Rhodes College’s Clough-Hanson Gallery presents prototype monuments from Monument Lab collaborators Kara Crombie, Michelle Angela Ortiz, Jamel Shabazz, and Marisa Williamson. The exhibition also includes living artifacts of the labs, samples of the public proposal process, and the culminating Report to the City.

As we experience this ongoing moment of intensity and uncertainty around public monuments—especially those that symbolize the enduring legacies of racial injustice and intersectional modes of social inequality—we are reminded that we must find new, critical ways to reflect on the monuments we have inherited and imagine future monuments we have yet to build.

Curated by: Paul M. Farber

Partners: Clough-Hanson Gallery and Urban Arts Commission

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Monument Lab: Report to the City
Jan
3
8:00 AM08:00

Monument Lab: Report to the City

Thursday, January 3, 2019
8:00am-9:30am
Center / Architecture + Design, 1218 Arch St
Philadelphia, PA


Speaker
Paul Farber
Ken Lum
Jane Golden

Monument Lab: Report to the City
Monument Lab is a public art and history project based in Philadelphia that comprises a team of curators, artists, scholars and students. Over the last several years, Monument Lab has organized several major public art interventions that asked: What is an appropriate monument for the current city of Philadelphia? The prompt fueled a citywide exhibition in 2017 presented with Mural Arts Philadelphia, featuring the installation of 20 prototype monuments in public squares and neighborhood parks, joined by learning labs staffed by youth research teams. Out of this exhibition, we just released our Report to the City, a reflection on nearly 4,500 public monument proposals gathered at the labs with insights into how public participants imagined new monuments. The key priorities reflected in the proposals: Rethinking common knowledge, craving representation, seeking connection with others, and reflecting on process and power. Hear more about this project and next steps from Monument Lab curators Paul Farber and Ken Lum and Mural Arts Program's Jane Golden.

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University of Pittsburgh – Report to the City: Prototyping Monuments in an Age of Reckoning and Remediation
Nov
28
5:30 PM17:30

University of Pittsburgh – Report to the City: Prototyping Monuments in an Age of Reckoning and Remediation

Speaker
Paul Farber, Artistic Director, Monument Lab

Report to the City: Prototyping Monuments in an Age of Reckoning and Remediation

Monument Lab is a national public art and history project based in Philadelphia that comprises a team of curators, artists, scholars and students. In 2017, Monument Lab teamed with ten municipal agencies including Mural Arts Philadelphia to produce a citywide exhibition organized around a central question: What is an appropriate monument for the current city of Philadelphia? This line of inquiry was aimed at building civic dialogue about place and history as forces for a deeper questioning of what it means to be Philadelphian in a time of renewal and continuing struggle. Over 250,000 people engaged with the exhibition across the city, which featured prototype twenty prototype monuments installed at City Hall, iconic public squares, and neighborhood parks, as imagined by leading public artists focused on themes of social justice and solidarity. Additionally, Monument Lab opened adjacent learning labs at these sites which were operated by teams consisting of local educators, high school fellows, and college students enrolled in a Civic Studio course. Through their efforts, 4,500 speculative public monument proposals were gathered from participants. As an outcome to this exhibition, the research team produced a Report to the City presented to the Mayor and all the city commissioners, shared the proposals as open data set of all of the proposals on OpenDataPhilly, and extend learnings with continued collaborative installations and projects in cities aimed at unearthing the next generation of monuments. Artistic Director and Co-Founder Paul M. Farber shares insights, reflections, and next steps for Monument Lab.

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National Trust for Historic Preservation Conference
Nov
15
3:30 PM15:30

National Trust for Historic Preservation Conference

Speaker
Ken Lum, Chief Curatorial Advisor, Monument Lab

Learning Lab: Monuments, Memorials, and Telling the Full History

This session, which will involve a short presentation followed by discussion, will examine the role of monuments and memorials in telling the full history of the American past. While the discussion surrounding Confederate memorials is important, this session will seek to address monuments and memorials more broadly by examining the challenges to memorializing individuals from underrepresented communities, engaging with examples of memorials and monuments used to change the game, and exploring the role of preservationists in supporting such projects in their communities.

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Report to the City, Alliance of Artists Communities National Conference
Oct
16
3:45 PM15:45

Report to the City, Alliance of Artists Communities National Conference

Speakers
Paul M. Farber, Artistic Director, Monument Lab
Ken Lum, Chief Curatorial Advisor, Monument Lab
Laurie Allen, Research Director, Monument Lab
Michelle Angela Ortiz, Artist

Monument Lab: Report to the City

Monument Lab is a public art and history initiative based in Philadelphia that comprises a team of curators, artists, scholars and students. In 2017, Monument Lab teamed with Mural Arts Philadelphia to produce a citywide exhibition organized around a central question: What is an appropriate monument for the current city of Philadelphia? This line of inquiry was aimed at building civic dialogue about place and history as forces for a deeper questioning of what it means to be Philadelphian in a time of renewal and continuing struggle. Hear from lead curators and artists on creating an engagement strategy that resulted in twenty "prototype" monuments in public spaces, registered over 200,000 in-person engagements, and collected close to 4,500 creative monument proposals from Philadelphians and visitors. Artist Michelle Angela Ortiz will also present her Monument Lab project, Seguimos Caminando (We Keep Walking).

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2018 Summit for New York City: Shaping the City
Oct
9
8:00 AM08:00

2018 Summit for New York City: Shaping the City

  • Saint Bartholomew's Episcopal Church (map)
  • Google Calendar ICS

Speakers
Paul M. Farber, Artistic Director, Monument Lab
Ken Lum, Chief Curatorial Advisor, Monument Lab

The MAS Summit for New York City, now in its 9th year, is a signature conference that attracts a diverse audience of policy-makers, industry leaders, and engaged citizens. Through a series of panel discussions, keynote lectures, presentations, and performances, the Summit connects participants in a daylong dialogue about the most important issues affecting New York and other global urban centers.

The 2018 Summit will explore present-day concerns about the issues central to our long history of advocacy. From preserving the character of rapidly changing neighborhoods to examining the future of our public realm in the age of the autonomous vehicle, this year’s Summit tackles the most prominent issues shaping the city. At the center of this discourse is the critical role that the individual plays in the process.

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Report to the City – Release Party
Oct
2
5:30 PM17:30

Report to the City – Release Party

What is an appropriate monument for the current city of Philadelphia? Last year, over 250,000 Philadelphians and visitors engaged this question in a citywide exhibition curated by Monument Lab and produced with Mural Arts Philadelphia. While the exhibition featured twenty prototype artworks, the lab teams collected over 4,500 proposals from public participants and passersby. The proposals offer a stunning, unprecedented glimpse into the historical imagination of Philadelphians.

Now that the research has been transcribed, mapped, and will soon be uploaded to Open Data Philly, the Report to the City offers a reading and reflection on the immense creativity and critical energies by public participants. The Report, compiled by Monument Lab and presented with Mural Arts Philadelphia, offers key findings and visualizations from the data. Mark the public release of the Report to the City by joining us at Slought for a party and free newspaper editions of the Report, along with a virtual reality tour of the 2017 exhibition, refreshments, and a special performance by Monument Lab collaborator Ursula Rucker.

Partners: Mural Arts Philadelphia, Slought

Funding for the 2017 Exhibition:  Lead Monument Lab partners included the City of Philadelphia; Philadelphia Parks & Recreation; Office of Arts, Culture, and the Creative Economy; Historic Philadelphia; Independence National Historic Park; Penn Institute for Urban Research; Pennsylvania Academy of the Fine Arts; Price Lab for Digital Humanities; and the University of Pennsylvania.

Major support for Monument Lab projects staged in Philadelphia’s five squares was provided by The Pew Center for Arts & Heritage.

An expanded artist roster and projects at five neighborhood sites was made possible by a significant grant from the William Penn Foundation.

Lead corporate sponsor was Bank of America.

Additional support was provided by Susanna Lachs & Dean Adler, William & Debbie Becker, CLAWS Foundation, Comcast NBCUniversal, Davis Charitable Foundation, Hummingbird Foundation, J2 Design, National Endowment for the Arts, Nick & Dee Adams Charitable Fund, Parkway Corporation, PECO, Relief Communications LLC, Sonesta Philadelphia Rittenhouse Square, Stacey Spector & Ira Brind, Tiffany Tavarez, Tuttleman Family Foundation, Joe & Renee Zuritsky, and 432 Kickstarter backers. Support for Monument Lab‘s final publication provided by the Elizabeth Firestone Graham Foundation.

Media partner: WHYY
 

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FRONT International – Cleveland Triennial for Contemporary Art: An American City – Public Art in the City
Sep
14
4:00 PM16:00

FRONT International – Cleveland Triennial for Contemporary Art: An American City – Public Art in the City

  • Thwing Center, Case Western Reserve University (map)
  • Google Calendar ICS

Speakers
Paul M. Farber, Artistic Director, Monument Lab
Ken Lum, Chief Curatorial Advisor, Monument Lab
Melanie Kress, Associate Curator, The Highline, New York
Michelle Grabner, Artistic Director, FRONT International, An American City
Virginia Overton, FRONT artist
John Riepenhoff, FRONT artist

Moderator: Lisa Kurzner, Curator, FRONT International, An American City

A panel on Public Art will bring scholars, artists, curators together to discuss what public art can do, or should do in the urban environment. Cleveland is a city with a spacious built environment that has recently seen great renovation to public areas along the lakefront and city center. Art has and surely will continue to attract interest for in reshaping the urban core. How does the biennial model fit into this? What is the role of the temporary or permanent? Must public art be monumental to be effective? Panelists will include curators of nationally recognized city public art programs, each with specific models and goals. In addition, Michelle Grabner, FRONT Artistic Director, and FRONT artists Virginia Overton and John Riepenhoff will join to represent diverse approaches to the topic of making art in and for the public.

Contributors include two FRONT artists whose work integrates with the urban fabric in different ways and expresses diverse attitudes about the nature of artmaking and cultural practice today. Invited curators of public art programs offer two models; one, the Highline, in which art and programming is tied to specific tract of land. The other, Monument Lab, operates throughout the city of Philadelphia, creating projects with rotating teams of artists, students and curators that stretch the definition of monument beyond physical structures into knowledge-based monuments and shared experiences.

Image: Virginia Overton, Untitled(Black Diamond), 2018. Installation view at University Hospital, FRONT International: Cleveland Triennial for Contemporary Art. July 14-September 30, 2018. Courtesy of the artist and Bortolami, New York. Photography by Field Studio.

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Enduring Legacies Of Public Art, Memorials, and Monuments
Jun
14
10:30 AM10:30

Enduring Legacies Of Public Art, Memorials, and Monuments

  • Americans for the Arts Convention Center (map)
  • Google Calendar ICS

Speakers: 
Caitlin Butler, Chief Strategy Officer, Mural Arts Philadelphia; 
Ken Lum, Chief Curatorial Advisor and Co-Founder of Monument Lab
Yannick Trapman-O’Brien, Lab Manager, Monument Lab
Marisa Williamson, Artist
Corin Wilson, Project Coordinator, Monument Lab

As we experience this moment of intensity and uncertainty around public monuments—especially those that symbolize the enduring legacies of racial injustice and social inequality—we are reminded that we must find new, critical ways to reflect on the monuments we have inherited and imagine future monuments we have yet to build. This discussion about monuments will expand on the conversation coordinated by Mural Arts Philadelphia and Monument Lab.

Image: Monument to New Immigrants, Tania Bruguera. Photo: Maria Moller.

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Community Discussion With Philadelphia’s Monument Lab
Apr
24
6:30 PM18:30

Community Discussion With Philadelphia’s Monument Lab

Speakers: 
Paul M. Farber, Artistic Director, Monument Lab
Ken Lum, Chief Curatorial Advisor, Monument Lab

Taking civic dialogue and imagination as forces for social change, Philadelphia’s Monument Lab asks the question: What is an appropriate monument for our city? Monument Lab, along with Colby faculty and students, will facilitate a community conversation on the role of public art.

This event is part of the “Space for Conversation” series: discussions about public art cohosted with Waterville Creates!

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